Royal Museum of Tremendous Arts Antwerp / KAAN Architecten


Royal Museum of Tremendous Arts Antwerp / KAAN Architecten

© Stijn Bollaert© Sébastien van Damme© Sébastien van Damme© Stijn Bollaert+ 44

© Stijn Bollaert
© Stijn Bollaert

Textual content description supplied by the architects. After profitable a world competitors in 2003 commissioned by the Flemish authorities, the Dutch architectural agency KAAN Architecten labored intensively on the advanced grasp plan, renovation and extension of the Royal Museum of Tremendous Arts in Antwerp, bringing a recent attract to superb and missed nineteenth century magnificence.

© Stijn Bollaert
© Stijn Bollaert

In addition to being one of many final examples of daring neoclassical structure within the metropolis of Antwerp, the museum homes a wealthy assortment of artwork that encompasses seven centuries of artwork: from Flemish primitives to expressionists, from work to drawings. and sculptures. The Flemish Authorities’s Division of Tradition, Youth and Media has invested round 100 million euros within the total renovation of the constructing.

© Sébastien van Damme
© Sébastien van Damme

Rising above the stays of the sixteenth century citadel and interwoven with the outstanding star-shaped city material, the museum was initially designed within the nineteenth century by architects Jacob Winders and Frans van Dyck. It was opened to the general public in 1890. The KMSKA was designed as a museum of daylight, the place guests may take pleasure in a stroll surrounded by gorgeous artworks in addition to the outside panorama, witnessed by means of its manifold views of the town and inside patios. Through the twentieth century, new developments in exhibition design and museum distribution introduced basic modifications to the structure of the constructing, altering the unique circulation route and connection to the town.

© Stijn Bollaert
© Stijn Bollaert

Within the early 2000s, as KAAN Architecten started to work on the grasp plan, renovation and extension of the museum, the southern district of Antwerp started to regularly acquire in worth by means of public funding and concrete transformation. One of many architect’s most intrepid initiatives has been to utterly cover the museum’s extension inside its present inner construction, the brand new addition will not be seen from the skin, so as to spotlight the worth heritage and the resilience of the distinctive nineteenth century constructing, nestled on this quickly altering district.

© Stijn Bollaert
© Stijn Bollaert

The extension coexists with the highly effective historic construction with out diluting its monumental character. KMSKA is now divided into three areas: a public entrance space (sensation), central exhibition areas (see) and workplaces (work) on the rear of the constructing.

© Sébastien van Damme
© Sébastien van Damme
Floor plan level 3
Ground plan stage 3
© Stijn Bollaert
© Stijn Bollaert

From Place Léopold de Wael, a big staircase provides entry to the museum: massive restored oak doorways open onto the doorway corridor, which incorporates a number of museum services resembling an interactive data space, a café, a auditorium, a bookstore with a espresso nook and a round staircase to road stage the place there’s a library, a cloakroom and a second entrance for giant teams.

© Stijn Bollaert
© Stijn Bollaert

The doorway corridor results in the majestic Keyserzaal (named after artist Nicaise de Keyser), which performs the central function of presenting guests with two completely different routes and experiences: one, going up the grand staircase, results in the bottom ground. -floor of the renovated nineteenth century museum; the opposite, persevering with straight forward, takes guests to the brand new twenty first century museum.

© Stijn Bollaert
© Stijn Bollaert

Whereas touring the historic museum, company stroll by means of a row of exhibition halls tinted with deep pinks, greens, and reds; oak doorways, tall columns, and plaster ceiling ornaments collectively convey a way of historical grandeur. The colour scheme chosen through the renovation course of is straight linked to the unique colours of the museum. On the primary ground, massive home windows visually join the intense however modest interiors with the environment, whereas on the second ground the principle rooms are lit by massive glass canopies and fitted with elegant sofas for individuals who respect the masters of artwork.

© Sébastien van Damme
© Sébastien van Damme

The gathering depot was moved inside the unique location of the air raid shelter bunker underneath the 2 foremost exhibition halls, at road stage. Very massive work, taller than the tall doorways, can journey from the depot by means of one of many unique nineteenth century hatches to the higher flooring. From this place and following a selected route, a monitor of high quality vertical hatching can ship the work to the adjoining rooms.

© Stijn Bollaert
© Stijn Bollaert

KAAN Architecten has created an architectural idea for KMSKA which takes the type of a fascinating journey the place guests discover the 2 contrasting and dialoguing museums, that are revealed little by little. The expertise is rarely predictable however at all times balanced: each routes are stimulating and designed to serve artwork.

© Sébastien van Damme
© Sébastien van Damme





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